Don’t Eat Me, I’m Only the Cameraman, Part 4: <i>The Last Exorcism</i>

Don’t Eat Me, I’m Only the Cameraman, Part 4: The Last Exorcism

The Religious Right is also (apparently) a breeding ground for predatory hucksters, grinning matchstick men who Get Religion so long as it gets them into your wallet. What The Last Exorcism does with that stereotype is rather refreshing. Cotton Marcus’s journey of rediscovering faith by confronting the forces of darkness isn’t really anything new, but it is something special. What I think the film communicates, rather than these simple explanations, is that when the chips are down, people have a surprising capacity for nobility. Even people who make a mockery of faith or the credulity of their trusting flock can find the courage to hold a candle to the darkness. There’s heroism in that.

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